Archive for the ‘Illuminati Symbolism’ Category

Imminent Warnings of Near Future Cataclysms with Pastor Levy

Pastor Levy joins http://www.tribulation-now.org/ to update on some powerful dreams and warnings of imminent calamities about to occur in the United States of Babylon the Great.

“Keep your nose to the ground and your eyes to the sky!”

IPGII_POSTER_1920x1080

 

A few days ago I posted The Mysteries of CERN and The Unknown at my LogosApologia.org website featuring links to my recent appearance on the Jim Bakker show with my On the Path of the Immortals co-author Tom Horn. Tom wrote a very interesting chapter “Secrets of the CERN Stargate” that becomes more prescient each day. Within science, the portal concept is perfectly respectable, explaining why the research director at CERN, physicist Sergio Bertolucci, said that  the LHC could open a door and,“Out of this door might come something, or we might send something through it.” That early statement form the research director set the tone for the ongoing discussion of interdimensional  and braneworld portals.

Scientists theorize that the particle collisions withing the LHC might tear a small hole into four dimensional space-time, creating a tiny worm hole. In order to manufacture a large traversable wormhole, one would start at the particle level and stretch it up to navigable size. Even so, a new study proposes that all spiral galaxies (like our Milky Way) already feature wormholes and may even feature a “galactic transport system“.

In Bible prophecy, such a portal is opened to the bottomless pit releasing genetic monstrosities led by an immortal supernatural being.

“They have as king over them the angel of the bottomless pit. His name in Hebrew is Abaddon, and in Greek he is called Apollyon.” (Revelation 9:11)

Many passages speak of  otherworldly “gates” (Gen 28:17; Mat 16:18 ) and God often speaks “out of the whirlwind,” (Job 38:1) making models of a traversable wormhole (which would seem like a whirlwind or vortex) an intriguing explanation.

Earlier today, Sharon Gilbert asked me to type IPETGOATII into google maps in order to observe the result. The result was CERN. I also tried it with Google Earth and my top two results were CERN and the Dome of the Rock! So why are these addresses associated with the film?

Google Earth result"I Pet Goat"

Why is google directing this term to CERN? Are we implying by our search associations that CERN beckons the apocalypse? Is Google having some fun? If you are not yet familiar please watch the short film I Pet Goat II and check out the website at http://www.heliofant.com/.

The film gets its title from elementary school reader My Pet Goat the children were reading from when George Busch Jr. was in the classroom on 9/11. The film proposes that the events of 9/11 were orchestrated as a mass exposure occult ritual. Even the classroom itself is part of the spell! I found this to be especially creepy, check out the vocabulary the teacher pulls out while Bush looks on.

Kite, Plane, Must, Hit, Steel

Seriously, it seems like more than coincidence! Was this all orchestrated (including the kid’s lesson) as an elaborate public yet occult ritual?

The film presents an apocalyptic scenario in which all world religions merge under a central universal messiah that looks like Jesus (yet features the all seeing eye on his forehead). The film is dark as Drako the sorcerer controls the world through finance, an idea also concordant with prophecy, “so that no one can buy or sell unless he has the mark, that is, the name of the beast or the number of its name.(Re 13:17) However, the New Age looking Jesus traveling down the river Styx of the Egyptian underworld at the close of the film leaves me disappointed and pondering the producer’s worldview…

The film seems to be missing the blessed hope of the return of Christ. Because of that, I wonder if the film makers are more or less secular members of the truth movement? Perhaps viewing all religion as tool of the elite and not accounting for the triune God and His church leads them to uncertainty. Even so, it all fits within biblical prophecy — as many are now recognizing. The argument from prophecy is winning many truthers to Christianity.

If the occult and supernatural are real, then consider that Bible prophecy speaks to these power elites who are conducting the rituals:

“Why do the nations rage and the peoples plot in vain? The kings of the earth set themselves, and the rulers take counsel together, against the Lord and against his Anointed, saying, “Let us burst their bonds apart and cast away their cords from us.”(Psalm 2:1–3)

“and the light of a lamp will shine in you no more, and the voice of bridegroom and bride will be heard in you no more, for your merchants were the great ones of the earth, and all nations were deceived by your sorcery.”(Revelation 18:23)

John the Revelator was the original globalist conspiracy author… God has revealed himself. I found this analysis helpful:

Source LINK: http://www.supernaturalworldview.com/2015/05/12/ipetgoat-ii-cern-as-a-portal/

“Keep your nose to the ground and your eyes to the sky!”

Decadence, debauchery and depravity poisoning a whole generation

Paul Joseph Watson
Infowars.com
October 25, 2013

 

Pop star Ke$ha, whose audience consists of pre-teen girls, says her vagina is haunted and had to be exorcised because she had sex with a ghost.

This is who a whole generation of young children and teenagers look up to as their idol.

Whereas Ke$ha thinks her vagina needs to be exorcised, in reality popular culture and society in general needs to be exorcised of talentless, satanic, occult-promoting pop stars like her, who are brainwashing kids with a poisonous message of amoral, vacuous, nihilistic depravity.

This article was posted: Friday, October 25, 2013 at 11:36 am

Source: http://www.infowars.com/moral-decay-of-america-pop-star-keha-says-her-vagina-is-haunted/

“Keep your nose to the ground and your eyes to the sky.”

JP

Jonathan Kleck claims new note contains chilling images of future nuclear attack on U.S

 

A video blogger claims that there are hidden messages in the new $100 dollar bill which warn of future nuclear devastation in the United States.

Back in 2002, it emerged that when a $20 dollar bill was folded in a certain way it revealed images that resembled the 9/11 attacks, a story that caused quite a stir at the time since the notes were issued three years beforehand in 1998.

Are the hidden images in the new $100 bill a chilling prophecy of future events, or just another example of how people are obsessed with doomsday fantasies that require a huge leap in imagination and logic to believe?

Jonathan Kleck’s FULL Video

View Jonathan’s Channel at http://www.youtube.com/user/TheJonathankleck

Facebook @ https://www.facebook.com/paul.j.watson.71

FOLLOW Paul Joseph Watson @ https://twitter.com/PrisonPlanet

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Paul Joseph Watson is the editor and writer for Infowars.com and Prison Planet.com. He is the author of Order Out Of Chaos. Watson is also a host for Infowars Nightly News.

This article was posted: Tuesday, October 15, 2013  at  10:13 am

Source: http://www.infowars.com/hidden-messages-in-new-100-dollar-bill/

“Keep your nose to the ground and your eyes to the sky.”

JP

In this BIG BROTHER TV trailer from Australia, a bombed-out London Olympics stadium is clearly ‘subliminally’ shown.

Hidden in plain-sight.

Below is the commercial that the flash came from…which strangely is sports related and shows a coliseum being torn down.

“Keep your ears to the ground and your eyes to the sky….in the direction of the Olympics in London.”

JP

BY THE VIGILANT CITIZEN

“I, Pet Goat II” is a computer animated video that is loaded with silent messages and esoteric symbolism. While the movie has no dialogue, each symbol tells a piece of a story that covers the fields of history, politics, occult conspiracies and spirituality. We’ll look at the esoteric meaning behind the viral sensation “I, Pet Goat II”.

WATCH FIRST:

Produced by the Canadian production crew Heliofant, I, Pet Goat II is a short animated movie that quickly went viral across the internet. Praised for its visual feats and its interesting imagery, the video however left many puzzled about the meaning of its symbolism. Politics, conspiracies and false flag operations are mixed with esoteric spirituality and occult symbolism in one big mesmerizing mind bender.

After watching the video, many might say something like “What the hell did I just watch?”. The story is somewhat non-linear and there are many cryptic and enigmatic elements in the movie. I won’t claim to fully decode every single symbol-filled frame of the video, but many of the messages are easily understandable due to rather heavy-handed symbolism.

In general, the movie appears to be about the political and social climate of the past decade – complete with puppet Presidents, false flag terror and mind-controlling sorcerers. Then, through the following of a Christ figure, we leave all the sadness behind to enter a new, sunny era. In short, the story is about the triumph of spiritual enlightenment against the forces of darkness. Let’s look at the movie and at some of its many details.

I, Pet Goat II

The video begins with an interesting scene: A goat inside a box in what appears to be some sort of detention (FEMA) camp. The goat has a bar-code on its head with the numbers 6 6 6 underneath it. If I, Pet Goat is about liberation from the forces of darkness, this first scene seems to depict the exact opposite. Does this goat represent those who have been “boxed in”, bar-coded and brainwashed by the corrupt system? The usage of the pronoun “I” in the title implies that the goat might be, in fact, the viewer himself.

The Puppet Show that is Politics

In the first part of the video, a hidden puppet master controls George “Dubya” Bush inside a classroom. When the planes struck the Word Trade Center in September 2001, Bush was inside a classroom reading the book My Pet Goat to children. The Masonic checkerboard floor of the classroom might signify that this whole charade had a ritualistic component to it.

Above Bush is an interesting graphic depicting the evolution of mankind from fish, to monkey, to man holding a weapon. What is the final stage of evolution? The illuminated man, represented by a sunburst around its head.

Bush wears a dunce cap, this conical hat that was given to “slower” students to humiliate them. When Bush is done making a fool out of himself, he turns into Obama, a charming and distinguished man wearing a graduation cap. He starts off nice and lovable, but he ultimately begins to laugh at the audience. While he appeared to be the perfect response to the idiocy of Bush’s era, the fact remains: He is simply another puppet controlled by the same puppet master.

While most of the audience is totally oblivious to what is happening, one girl is not buying it.

While the masses appear to be deaf, dumb and blind (and restrained by barb wire), this little girl realizes that “this apple is not hers and drops it”. Obama is concerned by the awakening of this girl.

We are then taken to the cold and snowy outside world around the school. On a wall, there’s a graffiti with an important message behind it.

The Biblical verse that is referred to by the graffiti appears to foretell the journey viewers are about to embark on.

The Lord is my shepherd, I lack nothing. He makes me lie down in green pastures, he leads me beside quiet waters, he refreshes my soul. He guides me along the right paths for his name’s sake. Even though I walk through the valley of the shadow of death I will fear no evil, for you are with me; your rod and your staff, they comfort me. You prepare a table before me in the presence of my enemies. You anoint my head with oil; my cup overflows. Surely your goodness and love will follow me all the days of my life, and I will dwell in the house of the Lord forever.

– Psalm 23, NIV

A World in Decay

The outside world is dark, cold and literally in decay. It is sad, corrupt and everything is shaking and crumbling down.

At one point, two towers – reminiscent of the WTC – fall down. We then learn that it was an inside job.

Bin Laden is wearing a CIA badge, hinting to the fact that he was a tool used by the American government to advance its agenda. The moon crescent, a symbol associated with Islam, is reversed, which is may be a way of saying that all this Al-Qaeda stuff is a perversion and an exploitation of Islam.

While oil leaks from everywhere, a six pointed star appears under the Statue of Liberty, renamed by the makers of the movie “Lady of Helotry” (“helotry” means serfdom or slavery).

Is the six-pointed star (also know as the Star of David) appearing under the Lady of Helotry a way of saying that the US is highly influenced by Israel?

While the world is crumbling down, many ancient institutions disappear or get destroyed.

This Latino worker is sinking, along with his hammer and sickle – representing the disappearance of Marxism in third world countries. On Heliofant’s official site it is said: “After years of economic exploitation and the environmental degradation, Juan “Pepito” has a decidedly sinking feeling.”

Controlling the Masses

The world is under the spell of an evil sorcerer named Drako. According to the makers of  the movie, Drako is:

“The Sorcerer, the unseen hand and spirit of madness seeking ever more control through trickery, lies, poisons, false-flag events, wars, and mountains of bureaucratic and legal framework to siphon off the energy of the inhabitants of the earth. He fears the light of day as he fears life itself, and operates in the shadows. His greatest power is his hold on the issuance of the currency.”

Does this sound like what we call the Illuminati? Yes, yes it does.

The same way the Illuminati seeks to brainwash children since birth, Drako preys on this unborn child named Ludovic.

In esoteric tradition, the symbol of the serpent-entwined egg is known as the Orphic Egg. In short, it represents the latent seed of life and the infinite potential of creation. In other words, while this child appears to be hopeless, he still has the power to reach his full potential.

When the egg is hatched and the child is born, Drako literally takes control of his mind in a creepy, parasitic way.

Drako has the pyramid and all-seeing eye found on the US dollar bill on his chin. Not only does it represent the fact that he controls currency, it also represents the Illuminati. Underneath Drako’s eyes is the saying “Ordo Ab Chao” – meaning Order Out of Chaos, the occult elite’s favorite slogan. Also, the dude has only one eye open. Could he, like, more represent the Illuminati?

The Liberator

Amid all this chaos, a figure emerges with the power to make everything right.

Navigating on an Egyptian ceremonial boat, Jesus Christ appears to be in trance.

The Christ-like figure has a third eye painted right on the pineal gland, which refers to the concept of spiritual illumination. The triangle above the eye represents divinity and that illumination leads to the contact with one’s own divine nature. The symbols on the Christ’s forehead are in complete opposition to pyramid on Drako’s chin. While both figures bear similar symbols on their faces, Christ has them “right” and Drako has them in reverse/inverted, meaning that he (and the Illuminati) have corrupted these ancient symbols.

Named by the makers of the video “The Fire of Truth”, the Christ figure is not meant to be Jesus Christ himself, but a representation of the concept of Inner Christ as defined by Gnosticism. According to this esoteric current of Christianity, the Inner Christ is the potential found in everyone to reach godhood through spiritual illumination. On Heliofant’s website, The Fire of Truth is described as:

“That’s YOU!!! when you stand in the awareness of your sonship with the Divine and the brotherhood of mankind!!! “

When the Christ figure breathes the Fire of Truth on the world, some oppressed or distressed characters come back to life, like Ludovic, the child inside the egg. Also, Aali, a little Muslim boy that appeared battered and dead rises back to life.

The boy is executing the ancient art of Sufi whirling, which is practiced by the Sufi Dervishes of the Mevlevi order. The Dervishes are an ancient esoteric current of Islam.

“The mysteries of the Islamic faith are now in the keeping of the dervishes – men who, renouncing worldliness, have withstood the test of a thousand and one days of temptation. Jelal-ud-din, the great Persian Sufic poet and philosopher, is accredited with having founded the Order of Mevlevi, or the “dancing dervishes,” whose movements exoterically signify the motions of the celestial bodies and esoterically result in the establishment of a rhythm which stimulates the centers of spiritual consciousness within the dancer’s body.”
– Manly P. Hall, The Secret Teachings of All Ages

The rebirth of the Muslim boy as a Whirling Dervish signals that there is a link between him and the Inner Christ: Both represent initiation into esoteric schools, which all have a common goal – the contact with divinity through spiritual illumination. Other religions with esoteric undercurrents such as Hinduism (represented by a dancing Shiva), are also represented in the movie. Is the Christ figure maybe the Anti-Christ deceiving all religions into following him? Perhaps.

When the Christ figure exits the Cathedral, the building (which was guarded by an evil-looking gargoyle) crumbles behind him.

In this new era of spiritual enlightenment, elaborate man-made buildings become unnecessary and outdated. They therefore crumble and disappear.

As night turns into day, the Christ figure opens his fiery eyes and navigates towards the sunlight. Lotus flowers, symbols of spiritual enlightenment in Eastern philosophy, appear behind him, confirming to the viewers that the path to freedom is indeed a spiritual one.

In Conclusion

I, Pet Goat II has received widespread acclaim for its technical prowess and its original storytelling. Although there is no narration or dialogue, an elaborate story is delivered using the most ancient and universal language in History: Symbolism. Through symbols, the movie manages to deliver an acerbic critique of today’s Western Civilization, to describe its numerous evils and even to predict its inevitable downfall. More importantly, a thorough decoding of the movie’s symbolism reveals a powerful message of spiritual enlightenment based on ancient Mysteries. While this esoteric aspect of the movie might not be understood by many, it is at the core of the movie and is presented as the ultimate solution to the evils and corruption of today’s world. The movie’s conclusion is therefore a very personal one: Either YOU become a pet goat with a 666 bar-code on your forehead or YOU become a Christ figure with a third eye on your forehead. This notion of personal enlightenment is definitively a Gnostic one and is common to most esoteric schools of thoughts in all civilizations.

Agreeing or disagreeing with the movie’s spiritual conclusion is a question of personal beliefs, but it is nevertheless obvious that those behind I, Pet Goat II are “in the know” about all things occult, esoteric and even conspiratorial. Each scene has a profound underlying story behind it – whether it be historical, political or spiritual – that would take pages and pages of words to thoroughly explain. Therein lie the power of symbols: They can simply be admired for their aesthetic beauty or they can, when fully understood, reveal a profound story about humanity, God and everything in between.

SOURCE : http://vigilantcitizen.com/moviesandtv/the-esoteric-symbolism-of-the-viral-video-i-pet-goat-ii/

“Keep your nose to the ground and your eyes to the sky.”

JP

The Whitney Houston funeral was not as normal as the television cameras revealed.  You would think a Baptist funeral would be free of any ancient Egyptian coffins?  In fact,  was it not Moses,  who was directed by The Most High, to liberate His people from physical and spiritual bondage from Egypt.  This was because ancient Egypt worshiped many deities (ehem…Jay Z) in conjunction with rituals which included group sex (including animals) and murder for worship. Now here is the million dollar question:

What in God’s name were two ancient Egyptian sarcophagus doing placed at the back doors of the Whitney Houston funeral service?

There is something greater than the understanding of the common people happening in plain view.  Another intriguing element is, this was not mainstream news.  Why didn’t the main stream news or their affiliates run a story on this?  It certainly is abnormal to have Egyptian coffins at the backdoor of a Baptist funeral, no?

There is obviously another secret religion at work here.  It it is linked to practices and rituals still in effect since Moses liberated the people from Egypt.  There is too much synchronicity surrounding Whitney Houston’s death referencing ancient Egypt and the occult.  If you have a better explanation I am open to it!

One month and 3 days before the death of Whitney Houston an ancient Egyptian sarcophagus was discovered.  This is where it gets really interesting.   The sarcophagus was discovered in The Valley of the Kings and the tomb is estimated to be 1100 years old!  There is the 11, again.  The mummy found within belonged to Nehmes Bastet, a daughter of the high priest of Amon who sang at a temple. She was considered to be a “diva” of her time.  When these ancient mummies are uncovered is there a finite amount of time to “ritualize” the intentions? Source

“She sang the praises of the god Amun in the 9th century BC – now she lies in a black wooden coffin in the Valley of the Kings.”

Why were the coffins placed at the Whitney Houston funeral? Was this Nehmes Bastet in one of the coffins and Whitney Houston in the other?  Is the family of Amun being recreated by the occult? This may sound far-fetched; but, is it any more than placing two sarcophagus at the back door of the Whitney Houston funeral?

Ancient Egyptian belief referred to a number of souls
that together constituted the individual.

I believe we are witnessing an ancient science of resurrection. All of these synchronicities are established in order to unlock  and energize something we do not understand, perhaps an ancient consciousness?   Now we know there is a mummy connected with the death of Whitney Houston. What were the odds this mummy would also be a singer and better yet a diva?

I’ll leave you with this:

“the god of this world has blinded the minds of the unbelievers, to keep them from seeing the light of the Gospel of the glory of Christ”
(2 Corinthians 4:4 RSV)

This is interesting also (Check the links he mentions in his description box):

Article Source Link: http://revelationnow.net/2012/02/21/egyptian-sarcophagus-whitney-houston-funeral/

JP

A street advert which uses facial-recognition technology to tell men from women is to be used for the first time.

The electronic hoarding, to be unveiled on a bus stop in London’s Oxford Street this week, plays a 40-second advertisement – with a different message depending on the gender of who is looking at it.

Only women will be able to view the full message, which is for a charity promoting female education worldwide. Men will just be directed to its website.

Intelligent ad: A unique new advert which deciphers your gender before relaying a message accordingly will appear at a bus stop shelter like tis in Oxford Street Intelligent ad: A unique new advert which deciphers your gender before relaying a message accordingly will appear at a bus stop shelter like tis in Oxford Street

The advert echoes 2002 Tom Cruise thriller Minority Report, in which billboards directly targeted individuals.

According to the Independent on Sunday it will guess their gender based on the distance between their eyes, the width of their nose and the shape of their jawline.

A spokesman for the charity, Plan UK, said: ‘We’re not giving men the choice to see the full ad – so they get a glimpse of what it’s like to have basic choices taken away.’

Privacy campaigners condemned the advert as ‘creepy’ and experts said it marked a future of personal advertising with ‘no boundaries’.

Neil Chapman, the head of the creative team behind the ad at Clear Channel UK, defended claims by campaigners at The Open Rights Group that the idea was ‘creepy’ – and told the Independent that it would not store any personal details.

Digital marketing consultant Steven Hess added that such technology marked the ‘beginning of a shift from essentially dumb advertising to intelligent advertising’ and that it meant that in the future there would be ‘no boundaries’.

Educating: The new campaign, which aims to get girls all over the world in to education, will target more women than men Educating: The new campaign, which aims to get girls all over the world in to education, will target more women than men

As part of the charity’s ‘Because I Am A Girl’ campaign’, the advert – which will have a two-week trial – will use a high-definition camera to scan the multitude of shoppers in the busy street.

The campaign highlights that at least 75 million girls around the world are not in school.

It points out that educated girls are less likely to marry and to have children whilst still children themselves and that they are more likely to be literate, healthy and survive into adulthood.

Charity: Bintou from Mali is one of the young girls used to promote Plan UKs 'Because I Am A Girl' campaignCharity: Bintou from Mali is one of the young girls used to promote Plan UKs ‘Because I Am A Girl’ campaign

Neil Chapman, the head of the creative team behind the ad at Clear Channel UK, defended claims by campaigners at The Open Rights Group that the idea was ‘creepy’ – and told the Independent that it would not store any personal details.

Digital marketing consultant Steven Hess added that such technology marked the ‘beginning of a shift from essentially dumb advertising to intelligent advertising’ and that it meant that in the future there would be ‘no boundaries’.

‘This will in turn move people from a life of poverty to a future with opportunity.

‘Everyone has a role to play, including boys and men.’

Read more: http://www.dailymail.co.uk/news/article-2103389/The-intelligent-advert-Scanners-determine-gender-sending-messages-according-sex.html#ixzz1mvbFGgf9

JP

By | February 6th, 2012

When I learned that Madonna – aka the Grand Priestess of the music industry – would be performing at the Superbowl halftime show, I thought: “This should be interesting”. And it was. While most were amazed by a woman in her fifties dancing around with LMFAO and others were annoyed at her lip-syncing, I was interested with something else: the flurry of symbolism flashed to billions of viewers worldwide. While most considered Madonna’s performance as an entertaining interlude to the most important football game of the year, those blessed with symbol-literacy will probably agree with the following statement: Madonna’s halftime show was a big celebration of the Illuminati industry and of its Grand Priestess, Madonna.

A week before the Superbowl, Madonna described on Anderson Cooper the spiritual importance she attributed to her halftime show:

“The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful.”

It is rather appropriate that this Kaballah-intiate referred to the Superbowl as the “Holy of Holies” as it was the name of the most sacred place in Solomon’s Temple. No one was ever permitted to enter the Holy of Holies but the High Priest. This privilege was only granted on the Day of Atonement, to offer the blood of sacrifice and incense before the mercy seat. Madonna’s analogy was therefore telling of the mindset behind her performance. Let’s look at the main parts of her show.

Vogue or Entrance of the Priestess

Madonna entrance is an elaborate procession fit for a High Priestess or even a goddess.

Pushed by hundreds of Roman soldiers and welcomed by hundreds of women, Madonna’s glorious entrance is a reflection of her status in the entertainment world.

Her first performance was highly influenced by ancient Egypt-Sumeria-Babylon and Madonna’s costume recalls an ancient Babylonian goddess.

The decor of Madonna’s first performance combines elements from ancient Egypt, Sumeria and Babylon. Madonna herself is dressed in a way that highly resembles an Ancient Sumerian/Babylonian goddess, Inanna-Ishtar.

Ishtar with her foot on a roaring lion and wearing a distinctive headdress resembling Madonna’s horned crown. Ishtar is often depicted with wings, a feature that is recalled on Madonna’s “carriage”.

Ishtar was a powerful and assertive goddess whose areas of control and influence included warfare, love, sexuality, prosperity, fertility and prostitution. She sought the same existence as men, enjoying the glory of battle and seeking sexual experiences. Madonna’s portrayal as Ishtar is therefore quite interesting as one can argue that the pop singer has embodied, throughout her career, the same assertive yet highly sexual qualities of Ishtar, even achieving a state of power in the music industry that is usually reserved to men. On an esoteric level, Ishtar is associated with the planet Venus, known as the Morning Star or the Evening Star – a name also attributed to Lucifer in occult schools.

So, in this mythologically-charged setting, Madonna performed Vogue. During the performance, covers of Vogue Magazine were displayed, a publication that is at the forefront of Illuminati symbolism in fashion (as seen in the series of articles Symbolic Pics of the Month).

Vogue ends with a symbol that is consistent with the Egyptian-Babylonian theme of the performance, one that is also of highest importance in occult Secret Societies such as Freemasons, the Rosicrucians and the Illuminati: the Winged Sun-Disk.

The song ends with the displaying of a Winged Sun-Disk.

Egyptian mystics used the winged sun for ritualistic magic and invocations:

“‘Emblematic of the element of air, this consists of a circle or solar-type disk enclosed by a pair of wings. In ritual magic it is suspended over the alter in an easterly direction and used when invoking the protection and co-operation of the sylphs.”
Hope, Murry, “Practical Egyptian Magic”

The winged sun is still being used today by groups like the Freemasons, the Theosophists and the Rosicrucians.

“The Winged Globe is pre-eminently a Rosicrucian symbol, although the Illuminati may lay claim to it, and it may be admitted that it is of Egyptian origin. The Winged Globe is the symbol of the perfected soul making its flight back to the source of its creation in the Elysian fields beyond.”
-Swinburne, Clymer, “The Rosicrucians, Their Teachings”

The symbol of the winged-sun inside a Masonic lodge.

The display of this symbol, although apparently trivial and aesthetic, emphasizes on the occult spiritual dimension underlying Madonna’s entire performance.

Give Me All Your Luvin’ or Madonna’s Sex Kittens

Later in the show, Madonna performed her new single Give Me All Your Luvin’. The song features two new industry favorites: Nikki Minaj and M.I.A. In the song’s music video and during the Superbowl performance, these two female rappers are portrayed in a specific way:  Instead of being presented as full-fledged artists contributing to Madonna’s song, they are portrayed as her “minions” who are cheering for the industry’s High Priestess. This “relationship” where Madonna is in power – and therefore the handler – is drenched in Mind Control symbolism, specifically Beta Programming, also know Sex Kitten Programming.

In the video for Give me Your Luvin’, Madonna, Nikki Minaj and M.I.A. are dressed as Marilyn Monroe, the ultimate prototype of Sex Kitten Programming.

Another symbol associated with Sex Kitten programming is feline prints clothing and textiles. The entire half-time show was an animal-print extravaganza.

Like a Prayer or the Final Sermon

Madonna closed the halftime show with one of her biggest hits: Like a Prayer. The video of this song was always controversial due to its mixing of religious themes with sexuality. As the song starts, the show takes on a very solemn and spiritual vibe as Madonna and Cee-Lo Green enter the stage to give the final sermon. Religious figures are usually dressed in white to represent purity and godliness. The two singers where dressed in black robes and black robes are usually used in…black masses.

As the song begins, a huge eye pupil is displayed before the stage, hinting to the Illuminati-influence of this spiritual performance.

Madonna’s halftime show ends in a dramatic yet very significant matter:

At the end of her performance, the floor opens underneath Madonna’s feet and she falls into oblivion.

As Madonna is swept in what appears to be the “Underworld”, Madonna sings “I hear you call my name, And it feels like home”. This is another inversion of conventional religious symbolism as “home” should be in the heavens. In Madonna’s case, she obviously didn’t go in that direction.

The show ends with a message no one can disagree with.

The words “World Peace” appear on the stage, a PR-friendly slogan used by those pushing for a New World Order lead by a one world government.

In Conclusion

When taken individually, the symbols described above can be simply considered as “cool-looking” and most Superbowl viewers did not give them much attention. The packing all of these signs and symbols in one comprehensive 13 minute performance cannot however be dismissed as “random images”. Quite to the contrary, the combination of all of these symbols form a whole and define with great depth the underlying philosophy and Agenda of those in power – the Illuminati. Madonna’s embrace of the Illuminati symbolism discussed on this site coincides with her signing with Interscope Records, one of the main purveyors of Illuminati symbolism in the music industry. Her halftime show performance can therefore be considered as the “launching” of her three-album (and 40 million dollars) relationship with the prominent label. Madonna’s Superbowl performance has shown that, despite the fact that she is an industry icon and that she pioneered most of the themes modern pop stars still exploit, she still needs to fit the mold and to embrace the same symbolism rookie pop stars.

Laced with profound imagery, Madonna’s halftime performance was a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Superbowl “Day of Atonement”, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America and delivered a 13 minutes sermon that was heard by all…but understood by few.

Here is Mark Dice’s commentary on the performance:

Part 1

Part 2

Article Source Link: http://vigilantcitizen.com/musicbusiness/madonnas-superbowl-halftime-show-a-celebration-of-the-grand-priestess-of-the-music-industry/

“Keep your nose to the ground and your eyes to the sky.”

By | December 18th, 2011 | Category: Music Business | 134 comments

The music video “Marry the Night” tells the story of Lady Gaga’s rise to fame in the entertainment industry. Oddly enough, her “journey” begins with her describing the symptoms of a trauma-based mind control victim.  Is there a deeper meaning to this video? We’ll look at the symbolism of “Marry the Night” and its underlying occult meaning.

Lady Gaga generated a great buzz among her fans when she announced that the video to Marry the Night would reveal a part of her past. Did her fans expect the video to begin with a traumatized Gaga inside a psychiatric ward with a bunch of lobotomized girls? Probably not. But from that strange starting point, the video proceeds to depict Gaga’s rise to super-stardom. How does all of that tie in together? To most, this doesn’t really make any sense. However, to those who understand the relation between trauma-based mind control and the entertainment industry, it makes perfect sense. While many of her previous videos referred to mind control in subtle and symbolic ways (see previous articles on Vigilant Citizen), Marry the Night takes it a step further, pretty much spelling it out. At the very start of the video, Gaga’s monologue defines in unequivocal terms the plight of a mind control victim. Despite her hardships, she says, she is determined to make it in the music business and is ready to do whatever it takes to reach her goal. She therefore “marries the night”, an expression that has a profound meaning.

The video is Lady Gaga’s directorial debut and, according MTV.com it is basically a “big thank you” to Interscope Records – the record label that signed her. This is definitely true but the video also says thanks to those behind her record label: the “Night” that she married. Let’s look at the video’s most important scenes.

In the Psychiatric Ward

The intro of the video shows Gaga as the patient of some kind of psychiatric ward. While laying on a stretcher that is pushed by two nurses, Gaga describes the way she perceives reality. Affected by a violent trauma, Gaga escapes into her own world to be able to go on. The mental dissociation that is described by Gaga is in direct accordance with the purpose of trauma-based mind control, the basis of Monarch Programming (see the article Origins and Techniques of Monarch Mind Control for more information). Monarch programming uses various methods, including violence, drugs and abuse to induce violent trauma and cause the victim to dissociate – a natural defense mechanism of the brain. The fracture of the personality that results from the process is then exploited by the mind-control handlers to program within the subject’s mind new “alter” personalities. This is also described in Marry the Night, as Gaga creates a new persona to obtain superstardom.

The process also causes the victims to have huge memory gaps when recollecting the past. In during the intro of the video, Gaga describes how a victim of Monarch programming would perceive reality:

“When I look back on my life, it’s not that I don’t want to see things exactly as they happen, it’s just that I prefer to remember them in an artistic way. And truthfully, the lie of it all is much more honest, because I invented it. Clinical psychology arguably tells us that trauma is the ultimate killer. Memories are not recycled like atoms and particles in quantum physics. They can be lost forever. It sort of like my past is an unfinished painting and, as the artist of that painting, I must fill in all the ugly holes and make it beautiful again. Its not that I’ve been dishonest, it’s just that I loathe reality.”

Gaga basically says that she went through trauma that was so horrific that it caused her to dissociate from reality. Since she cannot cope with the true nature of her existence, her psyche has “filled in all the ugly holes” and created an inner-world where she can escape and survive mentally. This is exactly what happens with MK slaves, who, while dissociated into their fantasy world, get programmed by their handlers. Gaga then proceeds to describe how her dissociated mind perceives her surroundings.

The nurses wear their caps in a “stylish” way because we are seeing Gaga’s dissociated perception of reality

In Gaga’s reality, the nurses are wearing “next season Calvin Klein” and she is wearing Giuseppe Zanotti shoes. Also, the nurses’ caps are tilted to the side like Parisian berets because she thinks “it’s romantic”. So what we are seeing is not reality, but Gaga’s perception of reality that has been distorted by trauma. Since she loves fashion, the fashion world is integrated in her mental escape to make reality bearable. The premise of this scene is very similar to the movie Sucker Punch (analyzed in the article entitled “Sucker Punch” or How to Make Monarch Mind Control Sexy), where a young patient of a psychiatric hospital dissociates from reality before getting a lobotomy.

Lobotomies also appear to be happening in Gaga’s ward. As she arrives in her room, we notice that it is filled with brain-dead girls with bandages around their heads. This hints that Gaga’s “institution” deals with mind control-related stuff.

On her bed, Gaga speaks with a nurse – who also happened to have delivered her when she was born. This is rather odd (for many reasons) but confirms that Gaga’s existence has been under tight control since her youth. Is this bit part “autobiographical” or fiction? Hard to say. But the following sequence is most probably fiction:

Gaga show her spineless back. What kind of crazy operation did she undergo?

Apparently, her spine was surgically removed. What does it represent? Her condition is most probably metaphorical as no one would actually survive (let alone be able to dance like hell) without a spine. “They” obviously took something extremely important from her. A “spineless” person is usually described as someone that is ” weak in willpower, courage or vitality” – which describes the plight of someone who just went through intense trauma. She nevertheless tells the nurse that “she’ll make it” and that “she’ll be a star” because she has “nothing left to lose”. In other words, the trauma she suffered left her lost and empty but that hole can be filled by her two obsessions: fame and success.

The Metamorphosis

After the depressing hospital scene, Gaga is in her apartment when she gets a phone call from her manager announcing that she’s been dropped by her label. She replies “But I’m an artist!”, as if artistic integrity is the top priority of record labels. She then loses it and goes into a topless frenzy involving Cheerios and smudged makeup. The messy scene is juxtaposed with images of Gaga gracefully dancing ballet – as a “true artist”. The two scenes are diametrically opposed yet have noticeable similarities. The ballet scene ends with Gaga topless and crying, indicating that both scenes happen at the same time: One in real life and one in her head.

Gaga topless and crying, like in the apartment scene. This represents how Gaga perceives herself, yet she is rejected by her label.

In the next scene, Gaga is in the the tub, accomplishing a significant task: Dying her hair blonde. Her new alter-persona is being created, the one that will become a pop star.

The transformation from Stefani Germanotta to the alter Lady Gaga symbolized by the dying of her hair blonde. She is beginning to do what is needed to make it in the entertainment industry – A shallow alter-ego that will do what is required by record labels. While she’s doing this, she’s humming “Marry the Night”, something she is actually beginning to accomplish here.

Once the transformation is complete, Gaga says goodbye to her ballet company (were they the ones that were lobotomized earlier?). The “true artist” is gone and the superficial diva is born. The camera stays on the art of the room for several seconds, probably due to its symbolic meaning. (the scene was shot at Snug Harbor Cultural Center in NY).

As the camera pans, we see several interesting things. At the top of this shot is Poseidon, the king of Atlantis with his trademark pitchfork. Although he was probably painted there because the shooting location is a harbor (a nautical place), the god takes another meaning in the context of the video: Poseidon is an important figure in the occult elite’s mythology as he is the king of Atlantis, the place where the Mysteries have originated from. Under Poseidon is a lighted star similar to the Blazing star found in Masonic lodges. Underneath the star is written “The Cross is My Anchor” – a Christian saying – but in reverse. I am pretty that the phrase is not actually written in reverse in Snug Harbor. Why was the image flipped? Does this represent Gaga’s spiritual shift as she “Marries the Night”?

The camera then pans to the room’s oculus (a circular window at the apex of  a dome) with a sun as the pupil of the “eye”. The oculus transitions into a full moon. As the scene turns from day to night, Stefani disappears and Lady Gaga emerges.

Marrying the Night

Most music sites say that Marry the Night is about going out, partying and having fun in New York city. But, as it is often the case with Gaga’s works, the symbolism and the imagery of the video hints at a deeper, more ritualistic meaning. As we have seen above, Gaga is passionately fueled by her drive for success and she appears to realize that the key to make it in the industry is: Initiation. Or, in more sinister terms, selling one’s soul.

In the context of the video, the expression “marry the night takes an almost metaphysical connotation. Marriage is a religious ritual, a binding association between two people. What does it mean when one marries the night? It can mean associating with people who deal in the dark: the occult elite (those we call the Illuminati). It can also signify embracing one’s own flaws and “dark side”. In all cases, there is a definite sense of “rebirth” in the process. And, that’s what we see: A blond Lady Gaga (the alter of Stefani Germanotta) emerges from a Trans-Am dressed in black.

Gaga then goes to “Pop Star Training”. No more ballet, it’s all about doing cool, hip, music video choreography now.

“Yeah, that’s how you need to dance if you want to be on MTV. Go back there and keep doing it”.

Once her training is complete, Gaga is ready for the “big time”. She becomes a glamorous diva and dances what is almost a parody of MTV music videos.

With her cool shades and fashionable backup dancers, Gaga now has what it takes to be a product of the music industry.

We are then treated to a video montage of Gaga living the highs and lows of stardom, complete with gigantic hats, bathroom stall door slamming action and emotionally instability. However, all of this crap pays off: Gaga gets signed to record label.

When you “Marry the Night” (or sell your soul), the doors of the music business magically open. Gaga gets an appointment with Interscope Records.

The video ends with an odd and ominous scene:

In this fiery scene Gaga is dressed in red – the color symbolic of sacrifice and initiation. She is wearing a Paco Rabane hat that is fashionable and symbolic: it completely hides her head. It is owned by the Night now.

Gaga’s live performance on X Factor also exploited the theme of headless-ness in a rather graphic way.

The setting of Gaga’s performance on X Factor emphasizes on the underlying occult meaning of the song. The full moon, the torches and the religious imagery play on the spiritual significance of “marrying the night”. Gaga began the song with her head literally chopped off, a perfect way to describe what figuratively happens to industry pawns.

In Conclusion

Although many describe Marry the Night as a “new direction” for Lady Gaga, the video still exploits her favorite theme: The price of fame. The intro of the video is basically a introductory course in trauma-based mind control, where she describes how dissociating allows her to cope with reality. As the artistic brunette turns into a blonde diva, the Lady Gaga alter-ego is created, one that will do what is required to make it in the music business. The most important requirement is “marrying the night”, which is a poetic way of saying “selling one’s soul” and associating with the dark side. Gaga had to deny everything she previously was to become a brand new person. Therefore, beneath the fashion and the dancing, the video hides an underlying ritualistic theme, as the death of a ballet dancer gives birth to an MTV pop star. From the broken girl who had nothing to lose to international superstar, it took a marriage with the dark side to turn things around. But at what cost? The final scene of the video, complete with hellish fire and a sacrificial red dress tells volumes.

In the grand scheme of things, despite her apparent originality, Gaga brings to the youth a message that is very similar to other pop stars: “Mind control is cool, everyone is doing it” and “Submit to the dark side and you’ll get what you want”. But when things get scary and the night becomes an abusive husband, asking for divorce won’t be an option. Ask Princess Diana.

VIDEO: YT’r –

http://www.youtube.com/watch?v=cggNqDAtJYU

Source Article Link: http://vigilantcitizen.com/musicbusiness/from-mind-control-to-superstardom-the-meaning-of-lady-gagas-marry-the-night/

JP